I like to play ultimatum games with myself when I’m in the car. You know, games along the theme of “desert island” or “Would you rather?” or, in the case that has inspired this writing, “Favorite musical artist of all time.” I allow myself to indulge in this kind of thinking while I’m alone, driving, so I don’t let it seep into my life where thinking like that isn’t productive and the situations don’t exist, i.e., when would you actually only be able to listen to ONE CD for the rest of your life; or have to choose between only eating bar snacks (peanuts, pretzels, wasabi peas) for the rest of your life or never being able to take off your shoes; or if my boyfriend and my sister were both teetering on different cliffs that were about to fall into a lake full of lava, and I could only save one from a horrible death, who would I choose? (BTW, this is an especially difficult choice. I’m glad I’ll never have to make that one again. Sorry, ex-boyfriend!)
Anyway, I’ve been thinking recently about my favorite musicians of all time. And I’ve come to the conclusion that I have to say musicians, plural, because I can’t even break it down further than favorite solo male, solo female, and band. This is kind of a stupid exercise, because while the experience of listening to solo male and solo female are different from one another and both different from listening to a band, one male musician is not necessarily the same as another one, and some male musicians are closer to the female musicians I like than fellow male recording artists. Also, if a solo musician plays with a band, does that count as a band? All these questions and more contribute to why this is ultimately a futile, meaningless exercise. However, this IS a blog, so…
Let’s start with the fascination I have with why people like types of music, recording artists, and songs, and not others. Is the like or dislike of music based on memories of childhood, sounds and images engrained into our young brains and associated with pleasant, comforting things? Or do the particular frequencies and vibrations of some types of music align with the frequencies of our own bodies? (I like this idea, though I don’t know if it holds any water.) If I had the opportunity to do another senior essay, I’d write it on this topic, I think.
I tend to be pretty picky about music, but I can’t always explain why. It just has to make sense to my ears and my body, though there are several essential characteristics that must be present for me to enjoy. One, and I’ve taken a lot of shit for this over the years, the singer has to be a good singer. Sometimes a good singer is not enough; they have to be an outstanding singer. This is the sole reason why, though I appreciate his music and recognize its importance in American culture, I do not like Bob Dylan. (Believe me, this has started an assload of fights - feel free to criticize me, anonymous reader, but you will likely not be able to sway me out of this opinion. Also bear in mind that while I may be fat, you are ugly, and at least I can diet.)
Two, I hate complacent music. I tend to like my music to be complicated in its arrangements, harmonies, and lyrics — owing, I sincerely believe, to the fact that I listened to nothing but “classical,” that is, instrumental, orchestral, choral, not necessarily from the classical period, music for the first 9 or 10 years of my life (thanks, Mom, Dad, and constantly-playing-NPR!) — but I equally love music that is brilliantly simple. This explains why I tend to hate “sap with a guitar” music along the lines of John Mayer, Gavin Degraw, Damien Rice, Jason Mraz, Jonathan Fartknocker, and Chuckles McSixstring. This also explains why I love Lou Reed’s solo stuff and Joni Mitchell’s early albums. It ALSO explains, I think, why I really enjoy listening to a lot of what is often termed “electronica” but unless I’m drunk, high, dancing, or running at least seven miles per hour, cannot bear to sit around and listen to “house music.”
Three, (and I realize I just fell into this trap not two sentences ago) I don’t really believe in genre, at least not anymore. Words like “indie” and “alternative” used to mean something, but let’s be honest, they don’t anymore. “Folk” has come to be synonymous with “acoustic” and I’ve heard bands like Vampire Weekend called everything from “trip-hop” to “Afropop” to “ska.” Convenient labels, genre headings are ostensibly a way to draw in otherwise incurious listeners but end up being alienating more often than not.
Enough of my music bullshit. I hate reading record reviews because musical choices are intensely personal. And while I respect that people write about their personal choices in music, I have a hard time with the idea that one person is more qualified to judge how good a record is and have that hold sway over a general, faceless public. I agree that Sasha Frere-Jones is a good writer, but why should I take his opinion any more seriously than Joe Butthole’s (also a phenomenal writer)? On to my personal favorites:
Female solo artist: This one was hard. In thinking about all of these, I wondered how much emphasis I should place on the artists/bands that occupied the spot of “favorite” previously in my life, especially those that were my “favorite” when I was a huge, dramatic nerd about music. For anyone who knew me from age 14 through about age 20, I’m obviously talking about Tori Amos, an artist who shaped my very understanding of music, as well as an understanding of myself as a big, dumb, teenage homo-ette. I kind of can’t even bear to listen to a lot of Tori’s stuff anymore, and I haven’t bought her last two albums, so I don’t think I can legitimately claim that she’s my “all-time favorite.” I kind of feel the same way about Joni Mitchell - I will always put “Blue” in my top 10 favorite albums of all time, but I don’t like her later stuff nearly enough to name her the favorite. So who is it? Someone complicated, someone who understands why music works, and someone insane. Yeah, Bjork is definitely my favorite female artist. Her status as solo musician is debatable, since it’s not like she’s “girl with a piano” or even “girl with a theremin,” though “alien with 58 oboes of varying sizes” might be a pretty apt description. I love the complexity of her music, and I love so much of it broken down to solo voice and melody. She’s weird, she’s challenging, she’s got eyebrows for days. What else is there?
Speaking of theremin, male solo artist: This one popped into my head immediately. In a world where the only thing you need to be successful in music is the ability to look good with a scruff of beard, a scratchy yet melodious voice, and a guitar and at least three fingers on your left hand, a crazy, complicated nutbag who makes weird and beautiful music is a welcome distraction. I’m talking to you, Brian Wilson. I confess, this was pretty easy, and also may be considered cheating, since I technically get to include the whole Beach Boys’ repertoire in my folder of favorites. Brian Wilson is, to use the technical term, batshit insane. I certainly wouldn’t want Brian Wilson and Bjork as my parents (oh my GOD, can you imagine how even more fucked up Carnie Wilson would be if Bjork was her mother? On an unrelated note, I always thought it was the most, most unfortunate thing in the entire universe to be a huge fatty named CARNIE), or as world leaders, or even as my local crossing guards, but damn if those crazies can’t put together complex, gorgeous music…which is another good point. Do you have to maybe be a little unhinged to make music that’s uniquely beautiful, a little nuts in its own way, but somehow works?
Favorite band: This one is the hardest, for sure. I have to reference favorite bands of yore, which include Counting Crows (you loved them too, shut up) and The Shins (ditto); and neither of those I say entirely lightly. My college boyfriend speculated once that I may have learned some of my vocal technique, specifically how to belt and sustain a looooooong note in chest voice, from listening to Adam Duritz sing at an early age. The Shins were a band to whom I connected in college and after, and who I’ve finally realized have served their purpose for me and I don’t really need to listen to all that much anymore. Other notables here include, in the distant past, Nirvana and Weezer; in the more recent future, Animal Collective (and offshoot, and my personal contemporary Brian Wilson, Panda Bear) and probably The New Pornographers. I think I rely on solo artists, specifically las bitches, to give me the moody estrogen songs I crave at times, so from a band, I want 98% rockin’ fun. I’m going to have to go with Queen here. For the third time, this is questionable - can I pick Brian Wilson as my solo male and still consider Freddy Mercury as a mere band member? This is my blog, so yes. Again, the complex structure of orchestration and vocals that’s reminiscent of crazy baroque and modernist composers (Russian composers have always, always been my favorite, in terms of orchestral music, at least, and certainly as a former cellist) really, really appeal to me. What else can I say? If you also love Queen, you get it. In this category it’s actually easier to tell you who I hate than who I love, so here are a choice few: Smashing Pumpkins, Maroon 5, Modest Mouse, Death Cab for Cutie (though he should do another Postal Service album, because that one was awesome), Coldplay, and bands with “wolf” in their name.
Also, all my opinions are subject to change as soon as an awesome song happens. Who are your favorites? Give me really compelling reasons to believe/grumpily judge you.